limelight studio shanghai photography

Red Leaf Interiors and Exteriors 红枫内景和外景


Last time we focused on the lifestyle shots we did for Red Leaf Women's Hospital. Now we're here with the behind-the-scenes process, and final images for the interior and exterior images. 上次我们为红枫母婴中心拍摄了人物生活照,这次应邀来拍摄内镜与外景的照片。

Our intern Katie and Scott posing for the camera while adjusting the equipment angles. We're not just wearing those scrubs for fun. It's actually required for every individual to wear them once they enter the operating area. 摄影师Scott和实习生Katie正在调整设备位置以便得到最佳拍摄角度,衣着方面,我们穿上了防护服可有效防止细菌扩散,这也是每一位人员进入手术室必须要穿戴的。

Our intern Katie and Scott posing for the camera while adjusting the equipment angles. We're not just wearing those scrubs for fun. It's actually required for every individual to wear them once they enter the operating area. 摄影师Scott和实习生Katie正在调整设备位置以便得到最佳拍摄角度,衣着方面,我们穿上了防护服可有效防止细菌扩散,这也是每一位人员进入手术室必须要穿戴的。

Our client goes in to adjust some equipment. While we were shooting this shot, the first delivery ever at Red Leaf happened. 我们的客户准备检查一些设备以供拍摄能够顺利进行,然而就在我们拍摄这一张照片的时候,医院的第一例分娩诞生了。

Our client goes in to adjust some equipment. While we were shooting this shot, the first delivery ever at Red Leaf happened. 我们的客户准备检查一些设备以供拍摄能够顺利进行,然而就在我们拍摄这一张照片的时候,医院的第一例分娩诞生了。

Lots of trees, lots of green around the Red Leaf grounds. 红枫母婴中心的庭院中一片绿意盎然。

Lots of trees, lots of green around the Red Leaf grounds. 红枫母婴中心的庭院中一片绿意盎然。

The sky that day was bright and blue, a rarity in Shanghai. 天空晴朗,云朵清晰可见,这样的天气对上海来说也是少有。

The sky that day was bright and blue, a rarity in Shanghai. 天空晴朗,云朵清晰可见,这样的天气对上海来说也是少有。

Searching for an angle with some flowers... 寻找一些带花的拍摄角度。

Searching for an angle with some flowers... 寻找一些带花的拍摄角度。

Scott up on the scissor lift, 8m off the ground while holding his umbrella while the owner of the entire hospital looks on (in white). The lift was just big enough to fit one person along with the tripod. The wind after the storm was blowing the lift just a bit, and with long exposures, it was difficult to get a clean shot. We used a balance of a higher ISO in order to have shorter shutter speeds (keeping in mind to not raise the ISO too high to limit grain/noise). 摄影师Scott站在8米高的升降梯上,一手要看护好相机一手要拿着雨伞。母婴中心的老板(图中白色衬衣)则抬头向上看到。升降梯的空间只够一人站立外加三脚架。暴风雨后的冷风吹着升降梯微微晃动,对于拍摄长曝光值的照片则稍微有些困难。我们只有提高相机中的ISO参数以此来减少曝光时间。(记住:拍摄长曝光值的照片一定不要让ISO值过高以免照片太多噪点)

Scott up on the scissor lift, 8m off the ground while holding his umbrella while the owner of the entire hospital looks on (in white). The lift was just big enough to fit one person along with the tripod. The wind after the storm was blowing the lift just a bit, and with long exposures, it was difficult to get a clean shot. We used a balance of a higher ISO in order to have shorter shutter speeds (keeping in mind to not raise the ISO too high to limit grain/noise). 摄影师Scott站在8米高的升降梯上,一手要看护好相机一手要拿着雨伞。母婴中心的老板(图中白色衬衣)则抬头向上看到。升降梯的空间只够一人站立外加三脚架。暴风雨后的冷风吹着升降梯微微晃动,对于拍摄长曝光值的照片则稍微有些困难。我们只有提高相机中的ISO参数以此来减少曝光时间。(记住:拍摄长曝光值的照片一定不要让ISO值过高以免照片太多噪点)

A guard looks up as we set up on the roof for one of our exterior angles. 当我们拍外景准备确定拍摄角度时,一位门卫正在抬头向上看。

A guard looks up as we set up on the roof for one of our exterior angles. 当我们拍外景准备确定拍摄角度时,一位门卫正在抬头向上看。

We shot multiple exteriors for Red Leaf due to the owner being unhappy with the angle. The first angle (picture directly below) was used temporarily, but had too much of the other hospital buildings, as the owner preferred to focus more on the main building. We ended up taking a few more angles before finally getting a scissor lift and taking the finalized shot (pictured at the bottom). Which do you prefer?  我们拍摄了多个外景角度以供客户可以仔细挑选。第一个角度(下图第一张)暂时被选上,但是照片中医院的其他建筑物略多了一些,而客户希望观者能将焦点放在主建筑物上。除此之外,我们还拍摄了一些其他角度的外景照片。(如下图第二张)你们喜欢哪一张呢?

This is the angle taken from the roof. The owner preferred to show less of the brick buildings (also part of the hospital), and focus on the main building. 这张是站在房顶上所拍,客户希望砖造的建筑能够在画面中少一些这样能够更加突出主建筑物的特点。

This is the angle taken from the roof. The owner preferred to show less of the brick buildings (also part of the hospital), and focus on the main building. 这张是站在房顶上所拍,客户希望砖造的建筑能够在画面中少一些这样能够更加突出主建筑物的特点。

The owner finally liked this exterior angle, and the sky is the actual sky on that night. This shot was taken with Scott on the scissor lift (pictured above) right after a relatively brief, but powerful thunderstorm; it was still raining when this was shot. The rain turned out to be a bit of a blessing in disguise as the storm cleared the sky and created a dramatic view.  最终客户选择了这张角度,是摄影师Scott站在升降梯上所拍。天空的晴朗十分美丽,但是暴风雨有些强烈,当在拍摄中时仍旧阴雨不断然而随着时间的推移雨停了天空乍现出一片奇幻之景。

The owner finally liked this exterior angle, and the sky is the actual sky on that night. This shot was taken with Scott on the scissor lift (pictured above) right after a relatively brief, but powerful thunderstorm; it was still raining when this was shot. The rain turned out to be a bit of a blessing in disguise as the storm cleared the sky and created a dramatic view.  最终客户选择了这张角度,是摄影师Scott站在升降梯上所拍。天空的晴朗十分美丽,但是暴风雨有些强烈,当在拍摄中时仍旧阴雨不断然而随着时间的推移雨停了天空乍现出一片奇幻之景。

180° Panorama of the Mount Kinabalu 马来西亚国家公园Mount Kinabalu全景拍摄


Mount Kinabalu Summit

Mount Kinabalu Summit

WHAT: 180° panorama of the sunrise hitting the facade Mount Kinabalu

WHEN: April 2011

WHERE: Kinabalu National Park, Malaysia

WHY: Being one of the tallest mountains in South-East Asia, Mount Kinabalu was a big attraction for Scott and his buddies for a vacation trip with some of "the boys." It took two days to climb over eight kilometers (5 miles) to the summit.

HOW: Packed with sixteen kilograms (35 lbs.) of camera gear, the boys climbed the mountain with a little assistance from a guide and a bit of regret in carrying the extra gear. Just before sunrise on the second day, the boys reached the summit. Because of the unpredictable weather at the elevation, there is an advised time limit at the summit. Following sunrise, the path becomes nearly invisible, and descending down impossible. With the clouds and fog breaking perfectly (a rarity) in the 20 minute window at the summit, Scott captured the glorious view using his trusty Gitzo tripod with his 360 panorama head just as the sunrise hit the facade of Mount Kinabalu. 

CAMERA: Canon 5D Mark II with 16-35/2.8mm lens

PHOTOGRAPHER: Scott Wright | Limelight Studio

拍摄对象:马来西亚国家公园Mount Kinabalu日出全景之壮丽景色

拍摄时间:2011年4月

拍摄地点:马来西亚国家公园

拍摄缘由:作为东南亚最高的山峰,Mount Kinabalu对于Limelight Studio有着极大的吸引力,大家都想一看究竟。此外在路途上花费两天时间登到山顶也是非常有趣的体验。

拍摄方法:携带近16公斤的摄影器材,Limelight Studio开始此次攀爬之旅,并在第二天日出之前我们一行人顺利抵达山顶。我们寻找到一块宽阔的空地作为拍摄地点以便能更好的捕捉到日出的奇幻景色。但是由于天气原因无法预测所以我们的拍摄时间十分有限。如果天气情况不容乐观,能见度将会十分低显然是不利于拍摄的。所以我们团队用了极短的时间来设置360度摄影装置,目的就是能够拍出令人赞叹的日出美景照片。

拍摄相机:佳能5DMark II和16-35/2.8镜头

摄影师:Scott Wright | Limelight Studio

 

Ultraviolet: 360 Construction In Progress 全球首家感官餐厅Ultraviolet上海建设记录


Over the course of two years, Limelight Studio shot a series of 360-degree photographs of the construction of Paul Pairet’s newly built project, the Ultraviolet restaurant. The construction began in 2010 where Scott began to shoot the structure of the building. From there, Scott and Justin would periodically return to capture the progression of the construction.

WHAT: 360 Series- Progression of UV restaurant construction

WHERE: The Ultraviolet restaurant

WHEN: 2010 – 2012

WHY: The vision that Paul Pairet had for his new restaurant required a very specific building. Limelight Studio wanted to document the development of this space by creating a 360-degree series of each major change or addition made to the structure.

HOW: To take this series, no lights were required. A tripod with a 360 head was set up at the same mark on the floor to make sure the photographs were taken at the same point each time.

CAMERA: Canon 10D with 16-35mm lens

PHOTOGRAPHY: Limelight Studio | Scott Wright, Justin Chiu

历时两年,Limelight Studio为Paul Pairet旗下的新餐厅Ultraviolet拍摄了一系列的360度建设照片。餐厅始建于2010年,而Scott就从那时开始拍摄该建筑的结构。为了拍摄此次建造的进程,他和他的团队周期性地往返那里。

项目:360度系列照——UV餐厅建设进程

地点:Ultraviolet餐厅

时间:2010 – 2012

缘由:Paul Pairet希望他的新餐厅有一种全新而特别的构造。因此Limelight Studio此次也十分想记录这一空间的发展,这需要通过360度的视角拍摄来记录这个建筑的重要变化以及一些附加的结构。

方法:拍摄此次系列照,我们不需要任何灯光,只需每次把三脚架和360度脚架装置放在地上的相同标记即可,这样可以确保每次的拍摄都在同一个点上。

相机:佳能10D和16-35镜头

摄影师:Limelight Studio | Scott Wright, Justin Chiu